Course

Visual Storytelling

Course description

Visual Storytelling is AMA Kraków’s flagship program for those who want to learn how to consciously create visuals and tell stories using the contemporary language of film, new media, and AI tools. The program combines directing, visual composition, editing, storytelling, and design thinking into a single cohesive process. This program is for those who want to understand how modern audiovisual forms are created today—from concept to final product.

Visual Storytelling

Visual Storytelling at AMA is a program that combines directing, cinematography, and post-production with new media and AI, teaching students how to create cinematic stories for film, streaming, and the digital world. The program is offered at AMA Kraków.

Price for 2026 (first edition): 6,500 PLN
Standard price: 8,500 PLN

Space is limited—groups of 10 people.

In addition,

Social Media Creator Lab – content creation workshop

We’ve prepared special terms for those committed to growing their careers at AMA.
Candidates who pass the admissions process and sign a student contract by the end of June 2026 will receive a 30% discount on their final semester—as support during the final stage of their education.

 

 

Duration

1 year, 2 semesters. Classes are held from Tuesday through Friday.

Number of hours: 400

Start your education in this course

About the Program

Visual Storytelling,

Visual Storytelling is a new form of filmmaking that combines directing, cinematography, post-production, and AI into a single, cohesive creative process.

Contemporary film, advertising, and premium content are no longer produced within strictly compartmentalized departments. Creatives who understand the entire pipeline—from concept to visuals to the final product—are the most sought-after professionals in the industry. The program at AMA Kraków is built around this shift.

You’ll learn how to direct a scene and work with actors. You’ll learn to use framing, movement, and lighting as a language, not just a technique. You’ll learn to edit narratively and think in terms of rhythm. And you’ll learn to use AI thoughtfully—from visual references in pre-production to integrating generative content with filmed footage.

Not just one role—the entire film. The program culminates in the production of an original film project, which also serves as the first entry in the student’s portfolio.


Who is it for?

This program is for people who:

  • want to enter the world of film, advertising, and new media on a solid foundation,

  • are interested in cinematography, storytelling, camerawork, editing, or directing,

  • They don’t want to limit themselves to a single specialization at the beginning,

  • want to learn how to work as part of a team and understand the entire production pipeline,

  • They want to create short films, online content, and modern visual projects.


What You’ll Learn

As you learn, you’ll cover the basics:

  • visual narrative and the language of film,

  • directing and scene-setting,

  • working with the camera, composition, movement, and lighting,

  • narrative structure and rhythm,

  • project work in a team,

  • the use of AI to support the creative process.


What Is Learning Like?

The program is based on hands-on practice, exercises, and project work. Students will learn the fundamentals of directing, cinematography, and post-production, gaining an understanding of the entire process of creating contemporary audiovisual works. This program provides a broad foundation and prepares students for further specialization.


Learning Outcome

Upon completing the program, students will understand the fundamentals of contemporary audiovisual language, be able to design and produce a short visual piece, and work effectively with imagery, narrative, and modern tools. This provides a solid foundation for further development in directing, cinematography, or post-production.


FAQ — Visual Storytelling Kraków (On-Campus)


What is visual storytelling, and how does it differ from directing or cinematography?
This is an introductory program—it combines elements of directing, cinematography, editing, and post-production into a single curriculum. Directing and Cinematography are specializations for those who already know which direction they want to pursue. Visual Storytelling is for those who want to first understand the entire filmmaking process before choosing their own path.


Do you need to have previous experience in filmmaking?
No. The program starts from the basics—cinematic language, camera work, and scene-building. No portfolio or prior experience is required. What matters most is a curiosity about the visual medium and a willingness to engage in project-based work.


Does the program include work with AI?
Yes, and not as a separate module—AI is built into the entire process: from reference generation and pre-production, through cleanup in post-production, to the integration of generative content with filmed footage. You learn to use AI as a tool to support creative decision-making, not as a substitute for thinking.


What can I do after I graduate from this program?
Visual Storytelling provides a foundation for further specialization—whether at AMA or elsewhere. Graduates are able to independently plan and produce a short audiovisual piece: from the script to the finished film. This opens the door to working on content for brands, online formats, low-budget productions, and creative projects.


What does the diploma entail?
The basis for passing the course is the completion of an original film project presented publicly before a committee. In addition to the practical exam, there is a theoretical exam. Graduates receive a diploma from the AMA Film Academy.


Can I continue my studies at AMA at a higher level after completing this program?
Yes. Visual Storytelling is a natural starting point for programs such as Directing, Cinematography, and VFX & AI Production. The program provides an understanding of the entire production pipeline, which makes it easier to transition into any of these specializations.


Degree in [Field of Study]

To pass the course and earn a diploma, students must submit a graduation film to be screened in front of an audience during an open exam and pass a theoretical exam. Students who pass receive an AMA FILM ACADEMY diploma.

 

A program supported by the Polish Film Institute

Related courses

Film Directing + AI

A program focusing on cinematography, working with a crew, and modern production processes.

Visual Storytelling

A program focused on image design, visual storytelling, and thoughtful audiovisual form.

Operator + AI

A program focusing on cinematography, camera work, lighting, and contemporary camera operator workflows.

Registration Guide

Registration begins on: April 15 , 2026

Recruitment begins on: May 5 , 2026

Course start date: October 13, 2026; end date: June 30, 2027

Exam fee: 250 PLN

Accident Insurance: 70 PLN

Entry fee: 1,900 PLN

Tuition: 6,500 PLN per semester / 13,000 PLN per year

Payable per semester in advance by October 1 and February 15 of each year

or in monthly installments due by the 5th of each month:

October – June: 1,560 PLN
July–September: 1,000 PLN

» We have prepared special terms for those who are committed to growing their careers at AMA.
Candidates who are accepted and sign a student contract by the end of June 2026 will receive a 30% discount on their final semester—as support during the final stage of their education.

Practice

The course will cover the following practical topics:

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    Working with a digital camera — lenses, exposure, focus, and white balance settings

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Film Lighting Techniques — Natural and Artificial Light Sources, Lighting Setups

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    frame composition — lines, proportions, depth, guiding the viewer’s gaze

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Mastershot and in-camera editing — building a scene in a single shot

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    staging scenes with actors — blocking, character movement, working on dialogue

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Acting techniques — improvisation, short dialogues, building emotion in a scene

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    narrative editing — straight cut, L-cut, J-cut, cut-to-action, film rhythm

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Editing dialogue and action scenes — working with multi-take footage

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Color correction and the basics of color grading — creating mood and visual consistency

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    sound editing — cleaning up dialogue, ambient sound, sound effects, and music in a film

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Moving Camera — Working with Gimbals, Drones, and Stabilization Systems

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Work in a multi-camera studio — live production, camera switching

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Production of an elaborate film study — the entire process from screenplay to finished film

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    teamwork with rotating roles—director, cinematographer, editor

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    AI in Pre-Production and Post-Production — Visual References, Previz, Subtitles, Cleanup

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Integration of generative content with filmed footage — consistency in hybrid projects

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Short-form and multiplatform formats — adapting the project for various distribution channels

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Building a portfolio — reel, showreel, and presentation of your own work

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    thesis project — an original audiovisual production, from concept to defense before the committee

Theory

The course will cover the following theoretical topics:

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    cinematic language — the grammar of the image, shots, angles, camera movement, and their narrative significance

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    The History of Film — From Silent Cinema Through Classic Hollywood to Contemporary Audiovisual Forms

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    The Aesthetics of the Image — An Analysis of Painting and Photography as Sources of Inspiration for Film

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    film dramaturgy — narrative structure, building suspense, emotion as the goal of the narrative

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    film analysis — deconstruction of cinematographic, editing, and directorial choices

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Elements of film production — set organization, post-production pipeline, workflow

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Digital distribution mechanisms — platform-specific features, formats, algorithms

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Copyright and Ethics — Protection of Public Image, Licenses, and Compliance in Audiovisual Production

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    AI and New Technologies — Opportunities, Limitations, and Responsible Use in the Creative Process

Faculty Members of the Program

Faculty members teaching courses in the following major:

  • Patryk Jordanowicz
  • Dariusz Twaróg
  • Jakub Chełkowski
  • Paweł Labe
  • Michał Sosna
  • Anna Giemzik
  • Przemysław Mastela
  • Jarosław Migoń
  • Piotr Paruch
  • Maciej Gil
  • Piotr Zdybał

Admission Requirements

To be admitted to the Visual Storytelling program, you must participate in an interview and, optionally, submit your portfolio.

We schedule interview dates with participants on an individual basis.

Please send your resume and portfolio to the following email address: rekrutacja@amafilmacademy.pl

» We’ve prepared special terms for those committed to pursuing their education at AMA.
Candidates who pass the admissions process and sign a student contract by the end of June 2026 will receive a 30% discount on their final semester—as support during the final stage of their education.

Registration Guide

Registration begins on: April 15 , 2026

Recruitment begins on: May 5 , 2026

Course start date: October 13, 2026; end date: June 30, 2027

Exam fee: 250 PLN

Accident Insurance: 70 PLN

Entry fee: 1,900 PLN

Tuition: 6,500 PLN per semester / 13,000 PLN per year

Payable per semester in advance by October 1 and February 15 of each year

or in monthly installments due by the 5th of each month:

October – June: 1,560 PLN
July–September: 1,000 PLN

» We have prepared special terms for those who are committed to growing their careers at AMA.
Candidates who are accepted and sign a student contract by the end of June 2026 will receive a 30% discount on their final semester—as support during the final stage of their education.

Practice

The course will cover the following practical topics:

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Working with a digital camera — lenses, exposure, focus, and white balance settings

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Film Lighting Techniques — Natural and Artificial Light Sources, Lighting Setups

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    frame composition — lines, proportions, depth, guiding the viewer’s gaze

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Mastershot and in-camera editing — building a scene in a single shot

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    staging scenes with actors — blocking, character movement, working on dialogue

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Acting techniques — improvisation, short dialogues, building emotion in a scene

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    narrative editing — straight cut, L-cut, J-cut, cut-to-action, film rhythm

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Editing dialogue and action scenes — working with multi-take footage

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Color correction and the basics of color grading — creating mood and visual consistency

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    sound editing — cleaning up dialogue, ambient sound, sound effects, and music in a film

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Moving Camera — Working with Gimbals, Drones, and Stabilization Systems

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Work in a multi-camera studio — live production, camera switching

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Production of an elaborate film study — the entire process from screenplay to finished film

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    teamwork with rotating roles—director, cinematographer, editor

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    AI in Pre-Production and Post-Production — Visual References, Previz, Subtitles, Cleanup

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Integration of generative content with filmed footage — consistency in hybrid projects

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Short-form and multiplatform formats — adapting the project for various distribution channels

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Building a portfolio — reel, showreel, and presentation of your own work

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    thesis project — an original audiovisual production, from concept to defense before the committee

Theory

The course will cover the following theoretical topics:

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    cinematic language — the grammar of the image, shots, angles, camera movement, and their narrative significance

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    The History of Film — From Silent Cinema Through Classic Hollywood to Contemporary Audiovisual Forms

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    The Aesthetics of the Image — An Analysis of Painting and Photography as Sources of Inspiration for Film

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    film dramaturgy — narrative structure, building suspense, emotion as the goal of the narrative

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    film analysis — deconstruction of cinematographic, editing, and directorial choices

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Elements of film production — set organization, post-production pipeline, workflow

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Digital distribution mechanisms — platform-specific features, formats, algorithms

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    Copyright and Ethics — Protection of Public Image, Licenses, and Compliance in Audiovisual Production

  • p]:pt-0 [&>p]:mb-2 [&>p]:my-0″>

    AI and New Technologies — Opportunities, Limitations, and Responsible Use in the Creative Process

Faculty Members of the Program

Faculty members teaching courses in the following major:

  • Patryk Jordanowicz
  • Dariusz Twaróg
  • Jakub Chełkowski
  • Paweł Labe
  • Michał Sosna
  • Anna Giemzik
  • Przemysław Mastela
  • Jarosław Migoń
  • Piotr Paruch
  • Maciej Gil
  • Piotr Zdybał

Admission Requirements

To be admitted to the Visual Storytelling program, you must participate in an interview and, optionally, submit your portfolio.

We schedule interview dates with participants on an individual basis.

Please send your resume and portfolio to the following email address: rekrutacja@amafilmacademy.pl

» We’ve prepared special terms for those committed to pursuing their education at AMA.
Candidates who pass the admissions process and sign a student contract by the end of June 2026 will receive a 30% discount on their final semester—as support during the final stage of their education.

Registration form

for the course:




















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